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About Carlo Aonzo

Carlo Aonzo, mandolinist, is a native of Savona, Italy where he grew up immersed in music. His initial teacher, his father Giuseppe (Director of the "Circolo Mandolinistico G. Verdi di Savona"), instilled in him a love and respect for the mandolin that has remained with him all his life. As a teenager Carlo went on to study with Ugo Orlandi, the current patriarch of the Italian mandolin, at the Cesare Pollini Conservatory in Padua where he graduated with honours (summa cum laude) in 1993. His playing has been recognized with awards at prestigious competitions including winning the "Vivaldi" prize of the 6th annual Vittorio Pitzianti National Mandolin Competition in Venice and first prize at the 27th annual Walnut Valley National Mandolin Contest in Winfield, Kansas.

Carlo has toured throughout Europe, Italy, Japan, the USA and Canada as a soloist and with chamber ensembles and orchestras (both professional and amateur). He has worked with many musical institutions including La Scala Philharmonic in Milan, Emilia-Romagna Symphony Orchestra, Savona Symphony Orchestra, Cannes Symphony Orchestra, Nashville Chamber Orchestra and as director of the Ligurian Plectrum Orchestra (Orchestra a Pizzico Ligure) who were called to play in the presence of Pope John Paul II. In 1998 he inaugurated the annual winter International Mandolin Festival in Varazze, Italy, and directed many editions of the festival over the years, calling on some of the most respected names in mandolin and guitar to perform there.

He has been a regular faculty member at the mandolin-oriented Kaufman Kamp in Tennessee since 1999 and since 2000 he has offered a popular annual workshop in New York City. He has also taught workshops and appeared as soloist with mandolin organizations in many of the major cities of North America: New York Mandolin Orchestra, Providence Mandolin Orchestra, Pittsburgh Mandolin Orchestra, Baltimore Mandolin Orchestra, Bloomfield Mandolin Orchestra (NJ), Montreal Mandolin Orchestra, Vancouver Italian Cultural Centre, Carlo Munier Mandolin Orchestra (Philadelphia), Denver, Milwaukee Mandolin Orchestra, Kalamazoo Mandolin Orchestra (premiering Elizabeth Start's Mandolin Concerto in June 2010), Atlanta Mandolins. In Japan he has collaborated with mandolin groups in Kochi, Nagoya and Sendai. He held a hugely successful First Annual Vancouver Mandolin Workshop in June 2010.

In 2006, Carlo conceived and founded the International Mandolin Academy (L'Accademia Internazionale del Mandolino), an association that promotes mandolin culture. That same year he inaugurated the week-long workshop of the same name whose purpose is to promote the art of Italian classical mandolin playing, attracting the attention of international fans of the sector. The Academy takes place annually in Italy or Switzerland and participants come from all over the world to attend this event (USA, Canada, Japan, Taiwan, Israel, Germany, Netherlands, Portugal, Hungary, Scotland, Switzerland and Italy).

The Classical Mandolin Society of America has invited him numerous times to their annual conventions. He was guest artist in 2004 in Philadelphia, in 2007 in Sarasota (Florida) and in 2008 he led the convention in Montreal (Canada) directing the En Masse Orchestra and leading teacher orientation workshops and conferences on the history and repertoire of the instrument.

Carlo is also an active scholar of historic mandolins, mandolinists and mandolin repertoire and has contributed to The New Grove Dictionary of Music and Musicians while also editing books on music for Bèrben and Armelin publishers. He has given presentations on the iconography of the mandolin at prestigious institutions around the world including Boston University (Massachusetts), Wisconsin Conservatory of Music, Milwaukee University, Vanderbilt College (Nashville), Maryville College (Tennessee), New England Music College (Massachusetts), the Italian Institute of Culture in Vancouver (Canada), the Italian Institute of Culture in Philadelphia, Hofstra University (NY), the National Instrument Museum in Rome and the Berio Library (Genoa).

Carlo’s recordings reflect his scholarship and passion to both champion the mandolin’s forgotten past and to develop its classical tradition into the future. He has recorded Paganini’s complete works for mandolin on period mandolino genovese with the octave-guitar tuning (Integrale per Amandorlino & Chitarra Francese). His recordings have also featured the works of early 20th century Italian virtuosi with guitarist Beppe Gambetta (Serenata) and Italian immigrants to America with Gambetta and mandolinist David Grisman (Traversata). He featured on David Grisman's cd Crossing (American mandolin). For Mel Bay, he has recorded an in-studio video concert of solo mandolin repertoire (Carlo Aonzo: Classical Mandolin Virtuoso), was featured in the book Mandolin 2000 and in 2010 released the book & cd collection Northern Italian & Ticino Region Folk Songs for Mandolin. His Orchestra a Pizzico Ligure's recording of arrangements of Vivaldi concerti (Antonio Vivaldi: Concerti per Mandolino e Concerti per Orchestra) is a rare demonstration of the rich sonority of a modern, active mandolin orchestra.

His recent collaborations with guitarists Rene Izquierdo in the US and Katsumi Nagaoka in Europe have resulted in successful concert tours and an exciting new CD, Kaze, with guitarist Katsumi Nagaoka which offers both a respectful nod to historic repertoire and premiers lively, sophisticated new compositions. His most recent recordings have featured him partnered with keyboardist Elena Buttiero (on spinet and piano): Il mandolino italiano nel Settecento (2008) and a cd of Romantic works, Fantasia Poetica (2010). Carlo's duo with Elena Buttiero has recently completed two successful tours of the USA (in 2009 and 2010) and were invited to perform at the Europfestival Zupfmusik 2010 in Bruchsal, Germany. They will embark on their third North American tour in March-April 2011.

Edited by Eugene Braig and Linda Bull


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Fantasia Poetica
with Elena Buttiero, piano (CD Baby), 2010

Il Mandolino Italiano nel Settecento
with Elena Buttiero, spinetta (DeVega, DD 1083), 2008

with Katsumi Nagaoka, guitar (CB Baby), 2007

Antonio Vivaldi - Concerti per Mandolino e Concerti per Orchestra
Carlo Aonzo soloist and director with Orchestra a Pizzico Ligure, 2004

with Beppe Gambetta and David Grisman (Acoustic Disc 47), 2001

with Beppe Gambetta (Acoustic Music) 1999

Niccolo Paganini: Integrale per Amandorlino & Chitarra Francese
(Arion 68420), 1998


Carlo Aonzo, Classical Mandolin Virtuoso
Mel Bay, 2008, 1999